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TechnoTV - A State of Wonder: The Complete Goldberg Variations (1955 & 1981)

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List Price: $19.97
Our Price: $11.00
Your Save: $ 8.97 ( 45% )
Availability: Usually ships in 24 hours
Manufacturer: Sony
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Average Customer Rating:     

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Binding: Audio CD EAN: 0696998770324 Label: Sony Manufacturer: Sony Number Of Discs: 3 Publisher: Sony Release Date: 2002-09-03 Studio: Sony
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Spotlight customer reviews:
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Customer Rating:      Summary: Its Gould Comment: It is nice to have both of Gould's recordings on one CD. As for the performances, well, it is Glenn Gould.
Customer Rating:      Summary: Really, so NO ONE in 1981 realized the analog tapes sounder better? Comment: Most of us may remember the "perfect music forever" marketing that introduced CDs 25 years ago... those of us with working ears pretty quickly dismissed it for the hype it was... I've got both the '55 and '81 versions and now this release. I have NO regrets re the performance (of course) nor the sonics. My point is that I find it hard to believe that no one at what was then Columbia realized the analoge safety tape sounded so much better than the digital recording. More likely, someone did, but the idea of releasing a new Gould Goldberg, and in digital to boot, trumped releasing it in the "old," if albeit better-sounding analoge format. Not the first time commercial considerations clouded musical decisions. Still, a big "For Shame" in having us listen to the atrocious '81 version for +20 years.
Customer Rating:      Summary: No reason for this review, unless you listen to rock Comment: Well, after such reviews, what more is there to say? Except, don't get distracted or annoyed by Gould's humming along, that was a standard feature of his playing, he always hummed along, and it's part of the charm of having a recording of the greatest pianist ever (or certainly of the 20th century if someone wants to argue about it). There is no reason to listen to Glenn Gould unless you want your mind opened. The magic here is not Gould, it's Gould's two different interpretations of Bach, who was certainly the most spiritual of any composers.
For those of us who don't know anything about music, except for what it says to us, personally, there is no reason to buy this, unless you want to have an epiphany. If you want the same thrill in classical parlance as the first time you ever heard Geddy Lee sing, or Joe Satriani play, you'll want to by this recording.
Customer Rating:      Summary: A State of Wonder Comment: Having the two very different recordings in one package has been an invaluable aid to my own attempts at playing the Goldberg Variations. Personally, I prefer Gould's 1981 performance with his more unified approach to the piece's underlying beat. The bonus CD is also great as an insight into Gould's thinking to the '81 recording. Overall, I am very pleased with this purchase, and would highly recommend it to anyone who is a fan of Gould or Bach.
Customer Rating:      Summary: HANDS DOWN, THE BEST THERE IS! Comment: Having listened to the 'Goldbergs' over many thousands of times through the years with various artists, I still keep coming back to Glenn Gould's recordings as the very best that has ever been produced and the truest to what I believe Bach had intended. I never get tired of hearing Glenn play...ever! This CD is a treasure and I highly recommend it...if you couldn't already tell.
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Editorial Reviews:
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Glenn Gould's recording debut in 1955 of Bach's Goldberg Variations took the world by storm. His decidedly un-Romantic view, absolute technical skill, startling lucidity, and right-on rhythmic changes, combined with his eccentricities--audible humming, sometimes outrageously fast tempi--made him an instantly legendary pianist and elucidated Bach's music in a whole new way. Gould's final recording, 26 years later, was also of the Goldbergs. It's a more relaxed, sometimes much slower, more inward reading (although still very much his own, complete with oddly ferocious attacks and accents), in which he offers repeats of the first half of 15 of the Variations. Both performances are glorious, each in its own way, and this luxurious new set of three CDs is entertaining, a joy to hear, and revelatory; it belongs in any music lover's collection. The third CD is devoted to outtakes and chatter from recording sessions. At one point, Gould improvises "God Save the King" and exhibits how it turns into "The Star-Spangled Banner." And a long interview with critic Tim Page offers great insight into Gould's weird humor and unique outlook. A must-have collection. --Robert Levine
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