Blithe Spirit
Frankly, I was amazed by the set of Blithe Spirit. I am not sure whether it
was
because I had a hand in building it and all of the skills I acquired in
doing so
or just the fact that it was a great set. Either way I was extremely
impressed.
Seeing the set from the front, back, and even above gave me a
wider scope of how
it worked and how it was put together. I paid special
attention to two main
aspects of the set; the making and the small
intricacies of it. Everything was
accounted for when it came to masking.
Places to dress privately in the wings,
carpet on the stairs and tape on the
doors, hard and soft tormentors and the
traveling blacks were all used
together to mask both unwanted sound and light.
As far as the small
stuff, I was amazed by how profoundly different the set
looked from different
angles and distances. From the audience the stage looked
laden with tile or
hardwood floors and the walls looked rich with texture and
depth. From the
stage though, the "wood" floors looked obviously fake
and so did the tile,
the walls were rather flat and the small trinkets looked
cheap. What an art
of deception. The one thing that I wanted to do from the very
start of the
run of Blithe Spirit was to see the last scene in which Ruth and
Elvira
begin tearing up the house. I didn’t really get a chance to see the
set
played upon or the costumes while the actors were on stage but I was not
as
curious about those things as I was about the last scene, so, I went to
the
sound booth. When the first shoe dropped, actually a curtain rod, the
audience
gasped. I could tell that they were not sure whether or not it was
supposed to
happen. In that one moment, the set was more like an actor than
I’ve ever
seen. It took on a characteristic and made the audience doubt
themselves. I had
no idea how much of an impact that small scene would have
but soon found that it
was tremendous. From the curtains over the door
falling to the lights
flickering, it really seemed as if invisible, super
natural forces were at work.
Each time something happened, there was a
purpose and every thing built up on
one another. This made it seem as though
the characters were getting more and
more irritated by Mr. Condomine’s
disparaging comments. I could imagine the
house being completely wrecked when
Mr. Condomine finally returned and at last I
suddenly knew what haunted
house’s in horror movies looked like before and how
they got the way they
were. All in all it was a fascinating play with an
exclamation point at the
end of it. The simplicity of rigging the set and props
that produced such a
splendid effect deserved a curtain call of its’ own.